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Ibero-American Television Fiction Observatory Obitel 2013 Social Memory and Television Fiction in Ibero-American Countries Ibero-American Television Fiction Observatory Obitel 2013 Social Memory and Television Fiction in Ibero-American Countries Maria Immacolata Vassallo de Lopes Guillermo Orozco Gómez General Coordinators Morella Alvarado, Gustavo Aprea, Fernando Aranguren, Alexandra Ayala, Borys Bustamante, Giuliana Cassano, James A. SPAIN Charo Lacalle (Universitat Au tònoma de Barcelona), Na tional Coordinator; Mariluz Sánchez, Lucía Tra bajo, Deborah Castro (Uni versitat Autònoma de Barcelona), Research Associates; Anna Alonso, Paola Cabrera, Belén Granda, Francisca Ni colau, Germán Muñoz, Karina Tiznado, Berta Trullàs (Universitat Autònoma de Barcelona), Collaborators. Highlights of the year.................................................................... The report deals with 75 broadcast channels, both private and public, with national penetration, based on the 12 countries that constitute the geo-cultural scope of Obitel.1 Table 1.Dettleff, Catarina Duff Burnay, Isabel Ferin Cunha, Valerio Fuenzalida, Francisco Hernández, César Herrera, Pablo Julio Pohlhammer, Mónica Kirchheimer, Charo Lacalle, Juan Piñón, Guillermo Orozco Gómez, Rosario Sánchez Vilela e Maria Immacolata Vassallo de Lopes National Coordinators © Globo Comunicação e Participações S. UNITED STATES Juan Pinon (New York University), National Coordinator; Linnete Manrique, Tanya Cornejo (New York University), Research Associates; Diana Kamin (New York University), Collaborator. Yearly analysis: premiere of national and Ibero-American fiction . Transmedia reception..................................................................... Obitel countries and examined channels – 20122 Obitel countries Argentina Brazil Chile Colombia Ecuador Spain Private channels América 2, Canal 9, Telefé, El Trece Globo, Record, SBT, Band, Rede TV!

UNITED STATES: looking for a younger audience – the rebranding of hispanic TV......................................................... Highlights of the year.................................................................... The analysis of the tendencies in narratives and the thematic contents in each country (data on consumption of other media such as the Internet and other program genres, investment in advertising, political and policies events of the year), as well as what every national research team considers “the most outstanding of the year”, especially in terms of changes in production, narratives and contents preferred; 4. CHILE Valerio Fuenzalida and Pablo Julio Pohlhammer (Pontifi cia Universidad Católica de Chile), National Coordina tors; Constanza Mujica, Luis Breull, Alejandro Bruna (Universidad Católica de Chile), Research Assistants; Verónica Silva, Independent Researcher. Highlights of the year.................................................................... In this section, special emphasis is placed on the ten most viewed titles of the year. Transmedia reception: Here is presented and exemplified the offer that the networks provide their audiences so that they can consume their productions via Internet, as well as the description of audiences’ behaviors when watching, consuming and interacting with their fictions through pages and websites. Highlights of the year: The most important productions, not only in terms of rating, but also in terms of the sociocultural impact or of the innovation that they generate in the television industry and market are presented here. Topic of the Year, which in this issue is Social Memory and Television Fiction: Here is offered an analysis of the ways in which fictions work on stories occurring wholly or partially in the past (remote or close) and how they allude to this in stories set in the present. BRAZIL Maria Immacolata Vassalo de Lopes (Universidade de São Paulo), National Coordina tor; Maria Cristina Palma Mungioli (Universidade de São Paulo), Adjunt Research; Cláudia Freire, Clarice Greco Alves, Helen Emy Nochi Suzuki, Issaaf Santos Karhawi, Ligia Maria Prezia Lemos, Patricia Bieging, Ra faela Bernardazzi Torrens Leite (Universidade de São Paulo), Research Associates; Miguel Luiz de Souza, Pedro Zanotto Bazi, Tomaz Af fonso Penner (Centro de Es tudos de Telenovela – CETVN – da Escola de Co municações e Artes da Universidade de São Paulo), Research Assistants. Topic of the year: social memory and television fiction . Country’s audiovisual context: It presents general information about the audiovisual sector regarding the production of television fiction: the story, tendencies and more relevant events. Analysis of premiere fiction of the year: It is presented through several tables that show specific data about national and Ibero-American fiction that were released in each country. Topic of the year: social memory and television fiction . Audiovisual context in the country................................................ ................................................................ For this 2013 Yearbook, as we said in the Editor’s Note, Peru incorporated as new Obitel country. The generation of comparable quantitative data from these countries: schedules, premiere shows, number of chapters, indexes, audience profile, and central fiction themes; 3. 339 Authors: Guillermo Orozco, Francisco Hernández, Darwin Franco, Gabriela Gómez, Adrien Charlois, 1. Yearly analysis: premiere of national and Ibero-American fiction . Transmedia reception..................................................................... The systematic follow-up of the fiction programming that is broadcast by the open channels in the 12 countries that participate in the network.

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